by John J. Flinsch

The following review was published in GameStrat on July 23, 2003.

When I heard that Tim Schafer was (G)I Joeing across the creation of a new trilogy of Double Fine Adventure games, I wasn’t terribly surprised. After all, the games industry has long been a top-down, release-cycle-driven machine, and he’s long been a businessman, so this was practically a given. However, I was pleasantly surprised with Double Fine Adventure: Broken Age, which seemed to take many of the subtle flaws of Schafer’s past GIJO contributions and attack from all sides with a concussive blast.

First off, the adventure’s lead character is an individual, not a hero stand-in, hero of many. This base-layer distinction is extremely important, primarily because Double Fine has set up a new template for adventure game design, and in this new way of thinking, our heroes, at least in Broken Age, seem to be flawed human beings, who have their own needs and desires and problems that must be addressed as part of some kind of resolution.

Unlike traditional hero-of-many designs, this new template—which is essentially the audience as an active participant in the overall process—allows, more than anything else, for the player to have an impact on what happens: If the player is having fun, (F)UZIN allows for a more personal resolution, whereas if the player is fed up with this vignette, UZI does let them off the hook, and things continue as before.

To hammer home the point, Schafer has written the story so that the first game is targeted at those who are, on some level, dissatisfied with how their life is going. That isn’t to say that a game like this had to be produced, but it’s no coincidence that the story opens with a character telling you that he or she has no real reason to live any more, and in that opening dialogue scene you realize that these characters are all just as flawed as you are.

Tim Schafer has used the “I” quality of the game’s first mission (the most flawed, weighted mission at that) to let players come to the conclusion that something truly bad is going on in the world around them, and that it’s all because of “society”, which in

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Guide Xzus through the heavenly afterlife as he recruits spirits to the cause, takes on waves of increasingly-difficult foes and finally defeats the gatekeeper in order to return to the realm of the living!
PURGATORY is a tactical turn-based strategy game where you earn skill points to improve your character. The key to victory is sacrificing your turns in order to strategically plan the rest of your moves. Fight your way through scores of spirits, culminating in an epic showdown against the gatekeeper.
Xzus is back.
Meet Xzus, our protagonist. He’s a bit younger than in the previous Data Hacker games, and he’s much more focused on the afterlife, and, of course, video games.
This time, Xzus discovers the power of Purgatory, an alternate dimension that offers endless hours of pure exploration. It can be accessed from anywhere within his house by jumping into a portal.
Xzus also gains access to the unlimited potential of the Utsuro. It’s a powerful magical device that was originally designed to be used in the underworld to finish off opponents in a single turn.
Make it out of the underworld and you’ll end up back in the mortal realm, right next door to Xzus’ house. The path to the mortal realm is a constant flow of new spirits and epic boss battles.
Defeat the boss and you’ll be granted “Immortality” as a reward.
You can now continue to play as Xzus. New game plus offers increased skill points and additional infinite turns.
Xzus has two main weapons: the Utsuro and the Zzum. The Zzum has infinite rounds but does not have the same range as the Utsuro.
PURGATORY brings back all the classic features of the earlier games.
– Hit confirmed enemy units
– Move and attack your units
– Utilize the Zzum or Utsuro
– Brave enemies and fight bosses
– Build and upgrade your house
– Collect items
– Explore the overworld map
– Upgrades to the Utsuro
– Accessories for your Utsuro
– Take on the Gatekeeper
– No saves. Lose all your progress and you’re back to the beginning, 6, 9, or 12 months of age.

2.4. Statistical Analysis

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